In 1897, Odd Einar Eide returns home from a near-death experience in the Arctic only to discover his own funeral underway. His wife, Inger, stunned to see him alive, is slow to warm back up to him, having spent many sleepless nights convinced she had lost both him and their daughter, Thea, who traveled to America two years earlier but has yet to send even a single letter back to them in Hammerfest, their small Norwegian town at the top of the earth. More than a century later, Greta Nansen has finally begun to admit to herself that her marriage is over. Desperately unhappy and unfulfilled, she makes the decision to follow her husband from their home in Minnesota to Oslo, where he has traveled for work, to end it once and for all. But on impulse, she diverts her travels to Hammerfest: the town of her ancestors, the town where her great-great-grandmother Thea was born—and for some reason never returned to. Braiding together two remarkable stories of love and survival, Northernmost wades into the darkest recesses of the human heart and celebrates the remarkable ability of humans to endure nearly unimaginable trials.

A brilliant ski jumper has to be fearless—Jon Bargaard remembers this well. His memories of daring leaps and risks might be the key to the book he’s always wanted to write: a novel about his family, beginning with Pops, once a champion ski jumper himself, who also took Jon and his younger brother Anton to the heights. But Jon has never been able to get past the next, ruinous episode of their history, and now that he has received a terrible diagnosis, he’s afraid he never will. In a bravura performance, Peter Geye follows Jon deep into the past he tried so hard to leave behind, telling the story he spent his life escaping. It begins with a flourish, his father and his hard-won sweetheart fleeing Chicago, and a notoriously ruthless gangster, to land in North Minneapolis. That, at least, was the tale Jon heard, one that becomes more and more suspect as he revisits the events that eventually tore the family in two, sending his father to prison, his mother to the state hospital, and placing himself, a teenager, in charge of thirteen-year-old Anton. Traveling back and forth in time, Jon tells his family’s story—perhaps his last chance to share it—to his beloved wife Ingrid, circling ever closer to the truth about those events and his own part in them, and revealing the perhaps unforgivable violence done to the brothers’ bond. The dream of ski jumping haunts Jon as his tale unfolds, daring time to stop just long enough to stick the landing. As thrilling as those soaring flights, as precarious as the Bargaard family’s complicated love, as tender as Jon’s backward gaze while disease takes him inexorably forward, Peter Geye’s gorgeous prose brings the brothers to the precipice of their relationship, where they have to choose: each other, or the secrets they’ve held so tightly for so long.